New Trailers: SUPPORT THE GIRLS, MANDY, BEAUTIFUL BOY and More

Today we have new trailers for:

The female-driven dramedy "Support the Girls" starring Regina Hall.
The psychedelic horror thriller "Mandy" starring Nicolas Cage.
The true story drama "Beautiful Boy" starring Timothee Chalamet and Steve Carell.
The Netflix comedy "The Legacy of a Whitetail Deer Hunter" starring Josh Brolin and Danny McBride.
Sundance hit "Assassination Nation" starring Odessa Young, Suki Waterhouse, Hari Nef and Abra.
The drama "Madeline's Madeline" from indie filmmaker and New York performance artist Josephine Decker.

Watch all the new trailers after the jump.

Click the links below to jump directly
to the selected trailer:

Support the Girls (August 24, 2018 - limited release)

Mandy (September 14, 2018)

Beautiful Boy (October 12, 2018 - limited release)

The Legacy of a Whitetail Deer Hunter (July 6, 2018 - Netflix)

Assassination Nation (September 21, 2018)

Madeline's Madeline (August 10, 2018)

Support the Girls (August 24, 2018 - limited release)

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Director: Andrew Bujalski

Starring: Regina Hall, Haley Lu Richardson, Shayna McHayle, Brooklyn Decker, Jana Kramer, James Le Gros, Dylan Gelula, AJ Michalka, Lea DeLaria

Synopsis:

"Lisa Conroy (Regina Hall) is the last person you'd expect to find in a highway-side 'sports bar with curves'-- but as general manager at Double Whammies, she's come to love the place and its customers. An incurable den mother, she nurtures and protects her girls fiercely -- but over the course of one trying day, her optimism is battered from every direction... Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?"

Mandy (September 14, 2018)

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Director: Panos Cosmatos

Starring: Nicolas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy, Olwen Fouere, Richard Brake, Bill Duke

Synopsis:

"Pacific Northwest. 1983 AD. Outsiders Red Miller (Nicolas Cage) and Mandy Bloom (Andrea Riseborough) lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand (Linus Roache), Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire."

Beautiful Boy (October 12, 2018 - limited release)

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Director: Felix Van Groeningen

Starring: Timothee Chalamet, Steve Carell, Maura Tierney, Amy Ryan

Synopsis:

"Based on the best-selling pair of memoirs from father and son David and Nic Sheff, "Beautiful Boy" chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years."

The Legacy of a Whitetail Deer Hunter (July 6, 2018 - Netflix)

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Director: Jody Hill

Starring: Josh Brolin, Danny McBride, Montana Jordan, Scoot McNairy, Carrie Coon

Synopsis:

"Buck Ferguson (Josh Brolin), famous for hunting whitetail deer, plans a special episode of his hunting show around a bonding weekend with his estranged son, Jaden (Montana Jordan). With trusted - but hapless - cameraman and friend Don (Danny McBride) in tow, Buck sets out for what soon becomes an unexpectedly epic adventure of father-son reconnection in the great outdoors."

Assassination Nation (September 21, 2018)

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Director: Sam Levinson

Starring: Odessa Young, Hari Nef, Abra, Suki Waterhouse, Joel McHale, Bella Thorne, Maude Apatow, Bill Skarsgard, Anika Noni Rose, Colman Domingo

Synopsis:

"High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they'll live through the night."

Madeline's Madeline

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Director: Josephine Decker

Starring: Helena Howard, Molly Parker, Miranda July

Synopsis:

"Madeline (newcomer Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director (Molly Parker) pushes the teenager to weave her rich interior world and troubled history with her mother (Miranda July) into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

Writer/director Josephine Decker has long been an independent filmmaker to admire, utilizing a welcome expressionistic approach that imbues her subjects with a vibrant sense of urgency. Anchored by a virtuoso performance from newcomer Helena Howard, whose powerful screen presence commands attention, Decker's film displays a rare sensitivity for capturing the messy struggles of discovering a sense of one's self that defies easy narrative categorization. "

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