Artist:
Isabelle Faust
Jakub Hrůša
Alexander Melnikov
Bavarian Radio Symphony Orchestra
Genre:
Classical
Total Time:
64:50
Record Label:
harmonia mundi
Purchasing Links:
CD, MP3, Apple Music
Release Date
April 12, 2024
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Find out more about this album release after the jump.
Isabelle Faust
Jakub Hrůša
Alexander Melnikov
Bavarian Radio Symphony Orchestra
Genre:
Classical
Total Time:
64:50
Record Label:
harmonia mundi
Purchasing Links:
CD, MP3, Apple Music
Release Date
April 12, 2024
"The Entertainment Factor is supported by its audience. When you buy through links on our site, we may earn an affiliate commission."
Find out more about this album release after the jump.
Purchasing Links
Product Description: Isabel Faust recorded a Britain violin covers! Tsucha Raku is the best fabric team known as Bavarian broadcast. The dazzling sound that shines through the hearts of Faust's heart, is a superrenowned for the whole spirit. The Britain Violin Concert was written with a significant influence on the Alban Berg Violin Concert, but it is a famous song filled with charming melodies of Briten. From the magnificent scene to the end of the work, the deity is a beautiful and amazing masterpiece. The coupling is also a luxurious content, which is a piano for indoor comfort. It also includes two small items at the age of 16, where the world's first recording of Briten was recorded.
Britain (1913-1976) set up a compose of the Violin Concert in 1938. It is said that it was inspired by the Violin Concert of Alban Berg, who heard its first stage at the International Modern Music Association Festival in 1936. The Violin Concert was written for Antonio Brosa, Spanish violin player (residing in London since 1914). Started in March 1940 by Barbiloli New York Phil at Carnegie Hall. It seems to show Briten's heart for the political force of the same era appears in a serious instrument group. At the beginning, the soft sound of Timpani and the march style of the cymbal that responds to it. The violin plays an energy-inspired and very cool rotation. From here the Foust's brilliant sound explodes and the full range of the Fast Version. You will be amazed at how you are singing right now. Each of the various dialogues interlaced between solist and orchestra of the Bavarian radio, led by Frusha is truly meticulous. The 2nd Insignia is the violent and ferocious in Vivace. As is the third armoire through various emotional protrusions and the last is a glorious yet divine beauty that closes to the curve. The facial expression and tone stand out until the last time the Solo of Foust, and the fullest, the full spirit of the whole body and the accompanied by the frusha and oke. A rare masterpiece has been born.
Following songs include piano. The song is a work that was made right after Briten listened to the Violin Concert in Berg and launched by Antonio Brosa and Briten himself in front of the Violin concert. The Violin Part not only demands relentless virtuogeti, but is also a British ghoulish reminder of the modernism language and the neoclassiism of Strvinski. Reveille was written for Antonio Brosa and launched in Wigmore Hall by Piano in Franz Reisenstein on April 12, 1937. The piano softens and repeats the normal movement of a watch, the violinist slowly wakes up and gradually rotates to a rathic glamorous and finally shows the masterpiece of musical instruments. The world's first recording, "two small items" was completed on December 12, 1929 and 24, and immediately after Briten's 16th birthday. It was finally published in 2013 and has become the world's first recording by the best members of Foust, Boris Faust, and Melnikov. 2 mysterious and focused tunes with an amazing understanding of the innovations of Scrybin, Schanberg and Berg The incredible beauty of the piano part (writing is beautiful and the playing of Melnikov is also remarkable).
Britain (1913-1976) set up a compose of the Violin Concert in 1938. It is said that it was inspired by the Violin Concert of Alban Berg, who heard its first stage at the International Modern Music Association Festival in 1936. The Violin Concert was written for Antonio Brosa, Spanish violin player (residing in London since 1914). Started in March 1940 by Barbiloli New York Phil at Carnegie Hall. It seems to show Briten's heart for the political force of the same era appears in a serious instrument group. At the beginning, the soft sound of Timpani and the march style of the cymbal that responds to it. The violin plays an energy-inspired and very cool rotation. From here the Foust's brilliant sound explodes and the full range of the Fast Version. You will be amazed at how you are singing right now. Each of the various dialogues interlaced between solist and orchestra of the Bavarian radio, led by Frusha is truly meticulous. The 2nd Insignia is the violent and ferocious in Vivace. As is the third armoire through various emotional protrusions and the last is a glorious yet divine beauty that closes to the curve. The facial expression and tone stand out until the last time the Solo of Foust, and the fullest, the full spirit of the whole body and the accompanied by the frusha and oke. A rare masterpiece has been born.
Following songs include piano. The song is a work that was made right after Briten listened to the Violin Concert in Berg and launched by Antonio Brosa and Briten himself in front of the Violin concert. The Violin Part not only demands relentless virtuogeti, but is also a British ghoulish reminder of the modernism language and the neoclassiism of Strvinski. Reveille was written for Antonio Brosa and launched in Wigmore Hall by Piano in Franz Reisenstein on April 12, 1937. The piano softens and repeats the normal movement of a watch, the violinist slowly wakes up and gradually rotates to a rathic glamorous and finally shows the masterpiece of musical instruments. The world's first recording, "two small items" was completed on December 12, 1929 and 24, and immediately after Briten's 16th birthday. It was finally published in 2013 and has become the world's first recording by the best members of Foust, Boris Faust, and Melnikov. 2 mysterious and focused tunes with an amazing understanding of the innovations of Scrybin, Schanberg and Berg The incredible beauty of the piano part (writing is beautiful and the playing of Melnikov is also remarkable).
TRACK LIST:
1 .
Violin Concerto, Op. 15: I. Moderato con moto – Agitato – Tempo primo (Live)
Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hruša & Boris Faust
(10:05)
2 . Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza (Live) Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hruša & Boris Faust (08:25)
3 . Violin Concerto, Op. 15: III. Passacaglia. Andante lento (Un poco meno mosso) (Live) Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hruša & Boris Faust (15:06)
4 . Reveille, concert study for violin with piano accompaniment Isabelle Faust, Alexander Melnikov & Boris Faust (04:53)
5 . Suite for Violin and Piano, Op. 6: Introduction Isabelle Faust, Alexander Melnikov & Boris Faust (00:38)
6 . Suite for Violin and Piano, Op. 6: I. March Isabelle Faust, Alexander Melnikov & Boris Faust (02:25)
7 . Suite for Violin and Piano, Op. 6: II. Moto perpetuo Isabelle Faust, Alexander Melnikov & Boris Faust (02:58)
8 . Suite for Violin and Piano, Op. 6: III. Lullaby Isabelle Faust, Alexander Melnikov & Boris Faust (04:15)
9 . Suite for Violin and Piano, Op. 6: IV. Waltz Isabelle Faust, Alexander Melnikov & Boris Faust (05:19)
10 . Two Pieces for violin, viola and piano: I. Un poco andante Isabelle Faust, Alexander Melnikov & Boris Faust (06:29)
11 .Two Pieces for violin, viola and piano: II. Allegro con molto moto Isabelle Faust, Alexander Melnikov & Boris Faust (04:23)
2 . Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza (Live) Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hruša & Boris Faust (08:25)
3 . Violin Concerto, Op. 15: III. Passacaglia. Andante lento (Un poco meno mosso) (Live) Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hruša & Boris Faust (15:06)
4 . Reveille, concert study for violin with piano accompaniment Isabelle Faust, Alexander Melnikov & Boris Faust (04:53)
5 . Suite for Violin and Piano, Op. 6: Introduction Isabelle Faust, Alexander Melnikov & Boris Faust (00:38)
6 . Suite for Violin and Piano, Op. 6: I. March Isabelle Faust, Alexander Melnikov & Boris Faust (02:25)
7 . Suite for Violin and Piano, Op. 6: II. Moto perpetuo Isabelle Faust, Alexander Melnikov & Boris Faust (02:58)
8 . Suite for Violin and Piano, Op. 6: III. Lullaby Isabelle Faust, Alexander Melnikov & Boris Faust (04:15)
9 . Suite for Violin and Piano, Op. 6: IV. Waltz Isabelle Faust, Alexander Melnikov & Boris Faust (05:19)
10 . Two Pieces for violin, viola and piano: I. Un poco andante Isabelle Faust, Alexander Melnikov & Boris Faust (06:29)
11 .Two Pieces for violin, viola and piano: II. Allegro con molto moto Isabelle Faust, Alexander Melnikov & Boris Faust (04:23)
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