Artist
Julianna Barwick
Genre:
Alternative Rock
Electronic
Total Time:
38:31
Record Label:
Dead Oceans
Format:
CD, MP3, Vinyl, iTunes
Release Date
May 06, 2016
Order links, audio samples
and track list after the jump.
Julianna Barwick
Genre:
Alternative Rock
Electronic
Total Time:
38:31
Record Label:
Dead Oceans
Format:
CD, MP3, Vinyl, iTunes
Release Date
May 06, 2016
Order links, audio samples
and track list after the jump.
• Buy the Album from iTunes •
• Buy the MP3 from Amazon.com •
• Buy the CD from Amazon.com •
• Buy the Vinyl from Amazon.com •
Product Description: Julianna Barwick's revelatory third full-length, Will, is the Brooklyn experimental artist's most surprising left turn to date. Conceived and self-produced over the past year in a variety of locations, the electric Will departs from the weighty lightness of 2013's Nepenthe. If Nepenthe conjured images of gentle fog rolling over desolate mountains, then Will is a late afternoon thunderstorm, a cathartic collision of sharp and soft textures that sounds ominous and restorative all at once.
Will comes off of Barwick's busiest period in her career to date following Nepenthe a spate of activity that included playing piano for Yoko Ono, performing at the 25th annual Tibet House Benefit Concert alongside such kindred spirits as the Flaming Lips and Philip Glass, the Rosabi EP and an extensive touring schedule that included her first-ever shows in Japan.
Her life over the past several years has largely been lived in transit, and as such the genesis of Will was not beholden to location; Barwick reflects on this cycle of constant motion. You're constantly adjusting, assimilating, and finding yourself in life-changing situations.
That sense of forward propulsion is largely owed to what Barwick describes as Will's synthy flava, an ingredient she was inspired to add to her vocal loop-heavy formula after demoing equipment for synth maker Moog. Another new wrinkle Will introduces in Barwick's sound: Mas Ysa's Thomas Arsenault, who lends his richly complex vocals to Samedz and Someway. The beguiling, beautifully complicated Will is the latest proof yet of Barwick's irresistibly engaging talent.
Will comes off of Barwick's busiest period in her career to date following Nepenthe a spate of activity that included playing piano for Yoko Ono, performing at the 25th annual Tibet House Benefit Concert alongside such kindred spirits as the Flaming Lips and Philip Glass, the Rosabi EP and an extensive touring schedule that included her first-ever shows in Japan.
Her life over the past several years has largely been lived in transit, and as such the genesis of Will was not beholden to location; Barwick reflects on this cycle of constant motion. You're constantly adjusting, assimilating, and finding yourself in life-changing situations.
That sense of forward propulsion is largely owed to what Barwick describes as Will's synthy flava, an ingredient she was inspired to add to her vocal loop-heavy formula after demoing equipment for synth maker Moog. Another new wrinkle Will introduces in Barwick's sound: Mas Ysa's Thomas Arsenault, who lends his richly complex vocals to Samedz and Someway. The beguiling, beautifully complicated Will is the latest proof yet of Barwick's irresistibly engaging talent.
1. St. Apolonia
2. Nebula
3. Beached
4. Same
5. Wist
6. Big Hollow
7. Heading Home
8. Someway
9. See, Know
OTHER ALBUM RELEASES:
- NONAGON INFINITY (King Gizzard & The Lizard Wizard)
- RESISTOR (Lera Lynn)
- THE ELECTRIC WARLOCK ACID WITCH SATANIC ORGY CELEBRATION DISPENSER (Rob Zombie)
- HEARTACHES BY THE NUMBER (The Bo-Keys)
- NEVER ENDERS (Lonestar)
- RIPCORD (Keith Urban)
- TAKE ME TO THE ALLEY (Gregory Porter)
- VIEWS (Drake)
- ELECTRONICA 2: THE HEART OF NOISE (Jean-Michel Jarre)
- YOU SHOULD BE HERE (Cole Swindell)
- THE COLOUR IN ANYTHING (James Blake)
- BOXES (The Goo Goo Dolls)
- THE THINGS THAT WE ARE MADE OF (Mary Chapin Carpenter)
- DETOUR (Cyndi Lauper)
- HOPELESSNESS (Anohni)
- LATINA (Thalía)
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